Beyond words, sounds. Beyond a blink, a sigh, a smile, a touch, a frown. Is there communication in absolute silence and stillness ? Is there communication in a sense of being ? Beyond just the simplistic scientific ideas of thought transfer and telepathy ?
I have often felt such strong communication in the presence of absolute Love and trust. Not with just vague ideas of words like â€˜Hey I love you” thrown at each other , but love and trust that is focussed, active and eager at that moment. Which when combined together seem to bring our deeper selves out from our assumed physical containment, into an energy that mingles and entangles with each other. And that mingling leads to something more ethereal, more harmonious and ideas so limitless that words and gestures could not have conjured up.
I often do that when I direct. I ‘sense’ rather than speak about my relationship with actors. I actively try and create a sense of trust and bonding of love not only with my actors, but with everyone on the set. When the actors are performing, I am loosing my identity into them and creating so called â€˜energy fields’ around the set so we all become part of a harmonious â€˜moment’ urging for something to be created beyond ourselves but also through ourselves. And often in response they are doing the same.
Not only in my experience with actors like Cate Blanchet , Heath Ledger, Geoffrey Rush and Naseeruddin Shah, with whom I have had experiences where our souls have had the courage to be â€˜naked’ in front of each other for that moment, our senses acutely alive to some deeper and often unknown aspect of ourselves in each other, leading to a performance where in hindsight you wonder in awe where and how it evolved so unpredictlably but yet so beautifully.
But also with musicians like Nusrat fateh Ali Khan and A R Rahman. With Nusrat most of the communication was done by him looking into my eyes and singing with tears flowing from both our eyes, having been transported to a realm higher than ourselves. I have been blessed by moments when such people that have trusted and loved me too.
Often producers have felt insecure that I do not look at the â€˜Video Monitor’ judging the ‘shot’. I cannot. How do I trust a moment of absolute faith and maintain a connect of love and faith with my actors through a machine ?
But of course such love and trust is possible only after huge amounts of thought and dialogue between my actors and composers and scriptwriters. Before trust comes, there must be understanding. But at the moment of â€˜creation’ it all has to be let go into the search for something beyond all that was said and discussed, into something unpredictable.
It’s the essence of all creativity, a huge sense of focussed discipline, followed by a complete letting go. Into moments of absolute faith.
Directing is so much like living. Love , trust and faith.