{"id":851,"date":"2006-09-27T00:55:32","date_gmt":"2006-09-26T19:25:32","guid":{"rendered":"http:\/\/shekharkapur.com\/blog\/2006\/09\/the-assembly\/"},"modified":"2006-09-27T00:55:32","modified_gmt":"2006-09-26T19:25:32","slug":"the-assembly","status":"publish","type":"post","link":"https:\/\/shekharkapur.com\/blog\/2006\/09\/the-assembly\/","title":{"rendered":"The Assembly,"},"content":{"rendered":"<p>The editing department normally start on the same day as the film crew, this sounds odd to a lot of people I tell this to who seem to  think we start once the crew have finished.   It is important for an edit team to be working through the shoot for many reasons, both creative and technical.<\/p>\n<p><!--more--><br \/>\nAfter each day of shooting the film goes to the lab for developing<br \/>\nover night then onto our telecine house where it is transferred to<br \/>\ntape then onto me for digitising into our edit system. This normally<br \/>\nmeans that Jill our editor has viewed and is able to start cutting<br \/>\nthe footage from the previous day by lunch time. This quick turn<br \/>\naround means that any potential problems with what was shot can be<br \/>\ndiscovered before they pull the set down or complete shooting a<br \/>\nscene, these could be for a many number of issues from film stock\/<br \/>\ndevelopment problems to cast performance.<br \/>\nThis quick turn around also means that the editor can assemble each<br \/>\nscene as it comes in and shortly after the end of shooting can have<br \/>\nthe entire film in a rough state. This rough state is called the<br \/>\n&#8216;Assembly,&#8217; which reflects the scripted version of the film (usually<br \/>\nquite a lot longer and different to what is released in the cinema).<br \/>\nThis is a starting point for both the editor and director to work<br \/>\nfrom over the coming months to produce what is called &#8216;The Directors<br \/>\nCut,&#8217; the stage we are now in&#8230;..<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The editing department normally start on the same day as the film crew, this sounds odd to a lot of people I tell this to who seem to think we start once the crew have finished. It is important for an edit team to be working through the shoot for many reasons, both creative and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-851","post","type-post","status-publish","format-standard","hentry","category-golden-age-diary"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Assembly, - Shekhar Kapur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/shekharkapur.com\/blog\/2006\/09\/the-assembly\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Assembly, - Shekhar Kapur\" \/>\n<meta property=\"og:description\" content=\"The editing department normally start on the same day as the film crew, this sounds odd to a lot of people I tell this to who seem to think we start once the crew have finished. 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