{"id":580,"date":"2009-07-05T07:50:13","date_gmt":"2009-07-05T07:50:13","guid":{"rendered":"http:\/\/shekharkapur.com\/newblog\/?p=580"},"modified":"2009-07-05T07:50:13","modified_gmt":"2009-07-05T07:50:13","slug":"film-design-in-relationship-to-film-narrative","status":"publish","type":"post","link":"https:\/\/shekharkapur.com\/blog\/2009\/07\/film-design-in-relationship-to-film-narrative\/","title":{"rendered":"Film Design in relationship to Film Narrative"},"content":{"rendered":"<p>Peter asked :we are concerned with and focused on the role of design in relation to  narrative. Every great director is a genius with narrative, that&#8217;s a  given. This issue  in relation to any filmmaker would be &#8211; what is  their relationship to design, and to a cross-media discussion that might  exclude conventional linear film narrative, and therefore force a  different discussion of world-building<br \/>\nFrom Shekhar :Peter, we are the stories we tell ourselves.  We are our own Mythology.  And stories are us being thrown into moral conflict at many levels.  Political, plot, psychological and mythological. And the most effective stories are those in which we are so achingly close to finding resolution and therefore harmony within the conflict, but  the moment we find that harmony we are confronted by another conflict &#8211;<br \/>\nBut isn&#8217;t all art and poetry and music also the yearning for harmony in conflicting words, notes or colours ?  And greatest artist provoking us in and out of that harmony, causing us to shed tears of discovery and emotion.<br \/>\nSo what&#8217;s different in design ? Design of a film must add another dimension to a film, but also create conflict and encourage us to search for harmony in that conflict. Within the broader vision of the film, but at the same time adding another dimension to the plot. Sometimes even in conflict with the plot but not in conflict with the central conflict of the film.<br \/>\nAnd if that&#8217;s for something as immense as a film, is it not the same for a design of a pendant or even a chair ?<br \/>\nIf there is no conflict, their is no curiosity. But if there is no suggestions of harmony, there is no beauty or joy. But constant harmony will be boring, so the conflict must be provoked every time u sense he design.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Peter asked :we are concerned with and focused on the role of design in relation to narrative. Every great director is a genius with narrative, that&#8217;s a given. 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