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September 30, 2006 | 01:17 AM
small productions/big productions : karen
Until “The Golden Age” I had only really worked on small productions and my own films at film school. I’ve had various experiences on TV programmes and in postproduction houses but nothing really to speak of.
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September 27, 2006 | 12:55 AM
The Assembly,
The editing department normally start on the same day as the film crew, this sounds odd to a lot of people I tell this to who seem to think we start once the crew have finished. It is important for an edit team to be working through the shoot for many reasons, both creative and technical.
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September 25, 2006 | 08:04 PM
New Blogger
Hello All, I am Karenjit the trainee in the Editing Dept, and adding to Billy’s Post production diary. Although working in the cutting rooms now, I started off working on the production in the Video dept.
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September 22, 2006 | 02:53 AM
ADR
ADR : During the editing of a film you will pretty much always discover
that you need some alternative or additional dialogue written in
order to make a scene/plot point clearer.
September 20, 2006 | 01:08 AM
EPK
Today my edit room was taken over by people interviewing Shekhar for
the Electronic Press Kit (EPK), so Jill could keep editing upstairs
is her suite.
September 18, 2006 | 11:28 PM
the post production diary
I am Billy, the 1st assistant Editor on ‘The Golden Age,’ and I will be keeping a diary throughout the post production of the film. Our Editor is the amazing Jill Bilcock, some of her past credits include Moulin Rouge, The Libertine, Road to Perdition, Romeo + Juliet and of course the 1st Elizabeth.
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September 15, 2006 | 06:43 AM
Shooting ratio's,
Kedar asked me what my shooting ratio is generally;
Masoom, my first film was shot 3:1....
Mr India, which was a visual effects film was naturally bigger,
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September 14, 2006 | 11:09 PM
Post Production !!
So here I am, back in London to come to terms with what I've done. Meantime Jill Bilcock has done an assembly (which means she has strung everything together in sme sort of linear way in order for the film to make sense ...
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