Dear Mr. Kapur,
I am Richard’s mother and have followed Ms. Bendre’s, Ms. Kher’s and your comments on every act. I believe every performer worked hard to achieve a dream – a goal .. be it the prize or just being part of a national platform.
I do believe that the Prince group were greatly deserving and had the complete backing of their state. I am happy that they won the prize money – which will go a long way in the support of their families. Richard himself said: “Mum, they were the most deserving of the prize”. Which is why, I am glad to read your comment on Richard’s and Sneha’s performance – as being a flawless and a world-class act. Thank you for this – as it is greatly heartening to the effort and dedication that went into its preparation.
My thanks to Ms. Bendre for her fulsome and vocal appreciation and Ms. Kher for her expressive face and eyes revealing a heartfelt appreciation of their work.
What else can I say? It was a show with great talent, high emotional content, sound judging. am a proud mother – just happy that though Richard and Sneha did not win – they danced with soul, spirit and grace – they danced as winners do! And, you saw that. Not sure whether you will read this – should you do so – know that Richard, Sneha and I thank you.
Chrysallis Performance Arts Centre for the Challenged, Bangalore
(integrating children with and without challenges nationwide)
Yes Diana, Richard and Sneha danced with soul, spirit and grace in a world class act, thank you for your lovely letter, Shekhar
Archive for the ‘India’s Got Talent’ Category
Dear Mr. Kapur,
Congratulations to them for their incredible act, commitment, choreography, versatility and sheer will to fight all odds and come out on top. I can now admit without prejudice that they were, from the time that I first saw them on the first phase of shooting in Kolkatta, my favourite act.
Many other acts came over time through the auditions and semi finals etc, that I grew to love. Some performed better in the semi finals and auditions, others outclassed themselves in the finals. But none were so visually stunning, so aesthetic, so zen like and transcendent. So confident in their own art of formations, that did not feel the need for constant energetic movements that most other acts fell in the trap of.
I thought others were great too. I thought that three acts completely stood out in the finals. Sneha and Richard completely surpassed my expectations and did a flawless and a world class Salsa act. Rohan and Group with their Hip Hop dance pulled off an incredibly difficult group choreography with such amazing precision that they could teach the Gansta Groups in the streets of New York a thing or two. And of course the ever green Alsam Langa Group that brought age old Rajasthani folk tradition with more energy and passion to a song made famous by Nusrat Fateh Ali Khan.
But I think the Prince Dance group had won the hearts of the Indian people even before the finals. There was something so emotional and completely Indian about their acts, but on par with the best international traditions of modern group choreography that made us all proud to be Indian. And to know that some of the participants of this group were brick kiln labourers, who normally come to our attention more because we read stories about how this class is completely exploited by the Kiln owners, and earn bare subsistence wages.
Then there were others. Like Rajesh Amrale with his devotion, skill and mastery over the Mall-khamb form of traditional Indian Gymnastics. So beautiful and fluid did he make it seem that it made Olympic Gymnastics feel simplitics.
And I could go on. Little Viren, India’s mini Micheal Jackson, the little Super Star as Sonali kept calling him affectionately, won the hearts of all us judges. But when it came to a tussle between the Rajasthani Aslam Langa group and Viren, I was the only one that voted for Viren, the other two judges ruled more by their heads then their emotions made perhaps the right choice. Both were excellent.
I’m going to miss the show, but on to other exciting adventures now. Lets see what the moment brings.
Its extremely moving to see how touched you are by many of the performances on the show that you are judging esp the ones by special children who have such an amazing spirit to overcome challenges despite their special needs. Given that you have made such real , heart wrenching films like Bandit queen I was really moved and surprised to see how emotional you were through the show.
I run an initiative called Towards A Special Cause (TASC) that provides free and voluntary support to various causes (www.towardsaspecialcause.in). With a special focus on children with special needs.
Shekhar there are some wonderful and soul stirring performances that I have witnessed by blind, deaf and deaf- blind children and young adults that deserve to reach an audience beyond the premises of their institutions and if there ever was an opportunity to make that happen it would help spread some light and cheer in their world of physical darkness. Vocational training support, specialised education and life skills learning so that they can earn a lively hood and lead a life of dignity and self respect is perhaps the most important aspect of support to a special child and their parents.
We encourage people to spread awareness, volunteer time,
Give money or actual items of use ,
Visit a special school , do anything
Anytime and in whatever way possible to help any cause close to their heart..
I am also taking this opportunity to share that one of the most outstanding live shows I’ve ever seen has been Shiamak’s show with deaf and deaf-blind children of the Helen Keller Institute.
The length of this letter indicates how much I wanted to share after I saw you truly cared .
Hope Floats ,
Vishal asked “saw you on television ……just thinking ‘at what point of time in a person’s career or in learning cycle ….a person gets confident enough to judge others?’
Never is the answer to that one Vishal, as there is a very thin line between judgment and prejudice. How can you judge anything except from your own life experience, which colors your own perception of what is good or what is bad ? What should or should not be ? Through the prism of my life experience, that both expands and contracts my world view at the same time, is how I see the world.
Tough to be fair. I try to react to everything emotionally. I try and give myself to the act and allow being entertained. I try to look at it from the performers point of view. I look for the performer’s passion beyond the technical expertise. I look to see if the performance has soul. But what do you do when your own sense of aesthetics is completely different from the performance ? Knowing there is a completely different set of aesthetics inherent in that performance. I often then look to my co judges to see if they tune to that aesthetic and take my cues from them.
Of course there are performances that have no aesthetic at all. I believe most of those performers know that when they are performing, and if they don’t then they should be told that firmly ! I am sure the channel sets them up for us, though.